Meanwhile, while doing sketches, digitally and traditionally I have
been working on how to turn my designs of the triptych into a real
triptych.
MDF at the sides is very fragile so you cannot just put screws in it.
My
first design is actually using canvas, as you see, the back has a
little bit of canvas showing through, that piece of canvas is actually
what is holding the panels together.
The
second design, now just painted up, edited into Krita, the free digital
painting program, will actually have hinges screwed into the frames
instead of the mdf and might actually have canvas in the frames.
What
I did read up on panels is that in 'ye olde days' the panels were
actually made with frames already attached when they intended it to be a
finished piece. This was a very interesting and inspiring detail. One I
might work with more in the future.
Thus the second will be full sized and the first might be getting a big version if it works out well.
And
I'll might be making more of these triptych like things. It adds a lot
to work itself. It makes it more a piece instead of just a panel with an
image on it.
This might actually be one of the reasons why one
would want to own a painting physically instead of a digital version of
print. Like, another reason, instead of just how the oil works visually
with the light through the layers and mixes instead of flat/pointilistic
composed images on screen/print and the visual of seeing the actual
paintstrokes in stereo.
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